‘Before there’s something new, there must be the death of the old’.
– Samantha, inside the Sahara, Falmouth.
A young woman is meditating right besides my tent, as I clamber out and blearily rub consciousness back into my eyes. I’m perched by the remains of Little Pendennis on the edge of Falmouth, a place where the average man and woman come to walk the dog, peer out at the distant tugs in the Bay for a moment, before boredom shoves them back into their cars. I wouldn’t mind a car. I’m getting worn out, mentally, particularly. Loneliness is singing its bitter catchy melody. One thing or another cheats me of a good night’s sleep. But at least I have the weather. This September has been unusually hot and dry, and the waterproof gear which I rarely took off during August has become crumpled and forgotten at the bottom of my bag. And improbably, there must still be some money left in my bank account, as my occasional card payments for a pint here, bag of granola there and ice-cream yonder are still going through.
So, this meditating girl…
She smiles as I wander over, and we get talking. Her name is Samantha, and she lives in a camper van, parked just nearby. She’s seeking a reliably safe and undisturbed spot to park for the next couple of weeks whilst she starts a full-time crafts course at the university. Something about the possibility of movement is very important to her. Despite the looming winter, she plans to live permanently in the van. She’s found a farmer somewhere nearby who will let her stay in his field for £80 per month. I am intrigued! She laughs, and invites me in for a cup of tea.
‘The poor man, he asked me what do I want, as if I knew…’
– street talk, Falmouth.
For most of its history, Cornwall has not been considered a part of England, but a separate country in itself. Over the last few days I’ve explored its unusually rugged, desolate and mysterious landscape, one where neolithic dolmens and hillside forts stand besides ruined chimneys of tin and copper mines. Few people, few signs of settlement. The terrain seems to reject any settlement. Each act of building feels like a tenuous incursion, one that’ll be washed or blown away by the storms and the sea, unless it meets with the approval of this magic landscape. If so, some air must hover it over it, rendering it jagged, granite-like, immovable and ancient in appearance. The extinction of humankind will not disturb this place. One can picture the great rows of satellite dishes, like those I’ll pass today, surrounded by glossy bracken and covered in lichen, still receiving the faint bleeps of satellites circling in orbit, obsolete, our final trace along with the concrete ziggurats and plastic waste.
The Atlantic lashes against the snarling coastline with unusual ferocity, and the maws of each secluded bay hide the remains of countless drowned men and wrecked ships. There is only one cathedral in the entire county, a late 19th century extravagance in Truro, built when Cornwall was starting to fall under the culture of England. As Wilkie Collins wrote around this time, in Cornwall ‘a stranger is doubly a stranger’. Elsewhere there are countless incidences of very different religions, from the innumerable standing stones to the frequency of non-conformist chapels serving the fishing and mining communities.
‘It’s lovely, you forget how blue it can be.’
– Conversation by Porthmeor beach, St. Ives.
Who makes the English?
A common History story. Regular defeat in football, cricket and rugby. The earth beneath the feet, the place of one’s birth or the place that one works, or lives to work, or works to live, whichever’s first. The national curriculum. The tax man, the lawyer, the politician, figures most loathsome. A driving licence, or other government documentation. Milky tea and stiff conversation. Roast beef and fried bacon. A bit of ooh err, hanky-panky and how’s yer father. Getting knocked out on penalties, again, again! A national anthem that no-one can sing. Ancient buildings where no-one’s been. A dragon-slaying Palestinian patron who never stepped foot in the land. Michael Caine, Lenny Henry and Brian Blessed. Bowler hats and a spiffing good day old bean. Unseasonably seasonal weather. Going to the dogs. And going to the dogs. Inexhaustible yet tedious moratoriums in the broadsheets about the national character. Embarrassment about, well, umm…, everything.
My sketch is affectionately ridiculous, because I want to point to how a collective identity, like being English, Cornish, Welsh or Scottish is something imagined. I’m not the first to make that point, but there’s something useful in considering it as a label or ’empty signifier’, absorbing different values and meanings imposed on it. To me, it suggests that just as it can be associated with anything from pisspoor football performance to the atrocities of imperialism, so it can be used to group together some common values and a desire for a new kind of political settlement, for a better kind of society. One where fair play, equality and equal opportunity, toleration, democracy and due process rule the day.